By John Beardsworth
Electronic photographers can now reach the long-lasting great thing about black-and-white images of their personal paintings! There’s extra to monochrome than simply discarding the colour in Photoshop, yet many books easily deal with it as an afterthought. no longer this one! John Beardsworth teaches each significant approach to creating a colour photo black and white, and explains what sort of photos are top, and why. either formidable rookies and complicated fanatics will how you can in achieving the richest tonal intensity and stability, use black and white to interpret the topic for the viewer, reproduce old and darkroom approaches, upload artistic and lighting tricks, and bring exhibition-quality prints.
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Extra info for Advanced Digital Black & White Photography (A Lark Photography Book)
A highlight will be especially scene is no longer about a grim marshland landscape, noticeable and potentially harmful if it but confuses the viewer-there may be an explosion lies close to the picture's edge. Paper on the horizon, or a strangely positioned sunrise. is also white, and such bright areas can easily blend into the surrounding paper, Left: Even very making the picture look as though small areas of blown notches have been chopped out of its highlights may rectangular shape. The eye may follow damage the image such highlights and be led out of the when they are frame, so one solution is to add a black positioned close to border or mount the print in a black the edges.
Also include a layer I [vI Output Channel: Gray Channel Mixer 1 Source Channels --------, Red: �96 �------r_--�� Green: Background � � o � ---------- �96 ------- II Drag the three Channel Mixer sliders and review how they affect the black-and-white output. In general. try to keep the contrast at 100%, but concentrate less on overall image contrast-which can be fixed later-and more on key details and the Blue: overall compositional balance of the Once you have assessed the image, and hopefully gained an idea of how you want to render it, add a Channel Mixer adjustment layer and tick the Monochrome checkbox.
To try to you want an area to be brighter, the dialog before you release the mouse resolve this, I experimented and stroking motion should be to the right. button to see this in action. I felt this picture needed the oil can dragged left over the can and to the right elsewhere. The logo's appearance to be brighter and more obvious, and was much improved and this also the bench and the background to be produced an interesting alternative darker. So I stroked the can to the right. treatment of the overall subject.