By Espen Hammer
Theodor W. Adorno's aesthetics has ruled discussions approximately paintings and aesthetic modernism because global struggle II, and maintains to notify modern theorizing. Situating Adorno's aesthetic concept within the context of post-Kantian eu philosophy, Espen Hammer explores Adorno's serious view of artwork as engaged in reconsidering primary positive aspects of our relation to nature and truth.
His ebook is established round what Adorno considered as the modern aesthetician's overarching activity: to accomplish a imaginative and prescient of the destiny of artwork within the sleek international, whereas demonstrating its exact cognitive capability. Hammer deals a full of life exam of Adorno's paintings during the vital challenge of what complete human self-actualization will require, and in addition discusses the broader philosophical value of aesthetic modernism.
This publication may be a beneficial source for students and scholars of social philosophy, artwork, and aesthetics.
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Additional info for Adorno's Modernism: Art, Experience, and Catastrophe
33 What seems more important to Adorno is the concept of identity, which he employs on a number of different occasions, ranging from accounts of ego-formation to interpretations of social systems and mechanisms. However, as I will argue, these claims are inter-related; they make full sense only in conjunction with one another. The instrumentality-claim, though, is the most straightforward, and I will start with that. It seems to come in at least four versions: (1) Reason today (or in modernity) is instrumental.
Thus, his idealism is more thoroughgoing and absolute than that of Adorno: there can be no conceivable gap between the ways in which nature is mediated by our conceptual systems and what we are able to view as nature in itself. ” For Adorno, by contrast, a gap of that kind is a socially and historically constituted fact. Spirit, Adorno argues, is now structured by empty repetition, routine, and impersonal principle, conforming to but not actively and rationally submitting to law. Thus, there are good reasons to think that it does not provide adequate resources for successfully determining the reality in which modern agents find themselves.
36 Ibid. 37 Adorno’s central claim, then, according to Habermas, is that the subject rises, as it were, out of the plenum of mere extended matter, or mere mindless “animality,” by using its power (obviously that “use” will, as in Schelling, at some point have to have been “unconscious,” not presupposing any pre-given appeal to an already constituted subject) to establish domination over outer and inner nature. The domination of nature becomes the key to understanding the subject’s differentiation of itself from the environment.